Oct
30
Homogeneity of Sound
Filed Under Mysterious Music | Leave a Comment
Homogeneity is not a combined blandness; it is an integrated separateness.
Oct
25
Genetically Modified Musicians
Filed Under Future of Music | Leave a Comment
If the you can create a recording using a computer that’s just as emotionally convincing as a genuine live recording, why should you actually bother with live musicians at all?
Oct
17
What is ‘Arts 2.0′?
Filed Under Arts 2.0 | Leave a Comment
What we want to do is to define and document how the profound social changes that have happened as a result of digitalization affect artists and artistic culture.
The thesis in a sentence:
The arts are no longer static offerings passed down from an assumed position of authority. Instead, they are now the starting point for engagement.
The […]
Oct
17
I’m pleased to announce a new side project that isn’t actually in itself a music performance project. It is in fact a manifesto-like set of ideas that I’m putting together in collaboration with Russell Bender, a theatre director (and old friend of mine) from the UK.
We’ve decided to move our work over here to my […]
Oct
12
Cultures in Harmony: Music as Politics?
Filed Under Education, Future of Music, World Culture | Leave a Comment
One meeting I had in New York was with a fascinating violinist, who is essentially an exact contemporary of mine at the Juilliard School, and now runs Cultures in Harmony , an organization that I strongly recommend you check out. If you find my work interesting, you’ll certainly like his.
William Harvey (who blogs here […]
Oct
6
Tasteless Viola Joke
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Palestinian Resistance: A Short History
1948 - throw rocks
1967 - fire guns
1987 - shoot missiles
2000 - detonate suicide bombs
2003 - start a viola ensemble
Oct
2
Creating Community Cultures
Filed Under Future of Music | Leave a Comment
Whilst in Boston, I’m staying with my Artistic Director from Al Kamandjati Camerata, Peter Sulski. He’s an ex-London Symphony violist (now a collaborative chamber musician) who is engaged in creating new community-based models for bringing international-quality music performances to specific areas. In his case, that’s three places: chamber societies here in Worcester MA, […]

